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Showing posts with label Handweavers Guild of America. Show all posts
Showing posts with label Handweavers Guild of America. Show all posts

MemphisWeaver





MemphisWeaver is where form meets function. My handwoven clothing and accessories will not only keep you warm and comfortable but will also mark a stylish and contemporary woman. The creative side of you will delight in writing and sketching your innermost thoughts and wildest dreams in my hand bound blank books

Yes, weaving and hand bound books go hand in hand. The rhythmic flow of the shuttle from side to side mimics the rhythmic movement of carrying the threads along the spine of a beautifully constructed book. My weaving began in 1980 when I finished my work in museum studies, and instead of heading to a curator's workbench, I headed to the weaving studio, and I have stayed there ever since! My work in book arts stemmed from a life long love of reading. In 1985 I gave myself a gift of an art retreat with one of the foremost book artists in the world. I saw how inter-related weaving and the book arts were and I have never looked back.

In both weaving and book arts, I constantly look for new materials, new forms, and new ways to express my love of both. My work continues to change and evolve, but in my handcrafted products you will always find something you will love to use for a very long time.


My work can be found at WinterArts, a seasonal gallery of fine handcrafted items by local artists in the Memphis area. The gallery is open twice a year from Thanksgiving through Christmas, and also for two weeks before Mother's Day.  Check the website for locations, as it varies from year to year: Winter Arts Memphis.  My work can also be purchased year round at the gift shop at the Memphis Brooks Museum during museum hours:  Brooks Museum.
-Felicitas  Sloves


Artist's statement:  Drawn by the colors and textures of yarns, I began weaving on a traditional floor loom in 1980.  My early pieces included original design clothing and accessories woven from natural wool fibers.  A move from New Jersey to Memphis in 2000 inspired a new direction in weaving.  Natural cotton and silk, and more recently sustainable fibers such as bamboo and tencel became my fibers of choice.  Not only do the fibers drape beautifully and feel luxurious, they also are easily replenish-able with little need for toxins to promote growth. My belief in stewardship of our Earth extends into  my work with hand bound books as I often incorporate hand made paper from natural products.

The Judaic concept of hiddur mitzvah has always been a part of my artistic life. Literally, the Hebrew phrase can be translated as “to make a good deed beautiful”. The use of textiles with a thought toward repairing the Earth can be viewed as a good deed, and to create beautiful handwoven textiles fulfills the directive issued by hiddur mitzvah.  As an artist, I believe that this concept can be applied to all manners of not only religious worship, but also by extension into one’s personal life.


Location:  Memphis, Tennessee, USA
Online shop:  memphisweaver
Blog:  memphisweaver
Memberships:
   Tennessee Association of Craft Artists
   Memphis Association of Craft Artists
   Handweavers Guild of America
Languages spoken:  English, Dutch


Handwoven Scarf by MemphisWeaver

Handbound Books by MemphisWeaver












Tags:  Handweaving, Clothing, Accessories, Hand bound book, Journal, Sketchbook, Sustainable, Memphis, Tennessee, Scarves

Ann Robinson, a.r.t.





After many years of teaching and advising students on campuses including the University of Wisconsin and Stanford, budget cuts left me without a classroom. Finally, I could focus full time on my inherent artistic interests dyeing and weaving yarn.

Today I design and weave one-of-a-kind textiles using traditional looms, respecting and preserving an ancient form of art. I have four looms in my home studio and use only natural fibers: cotton, silk, tencel (fiber made from wood), bamboo and soy.

My website, annrobinsontextiles.com, serves as a gallery and as a direct communication link. The interactive process between the artist and the interested party begins with a communication (personal, telephone, email) outlining what s/he has in mind, a piece on the site or a custom option.

Artist's statement:  My goal is to teach the art of weaving to as many people as possible because weaving teaches us much more than how to make cloth. Learning to weave provides focus and discipline and allows us to practice patience and endurance. These skills, I believe, are necessary to maintain one's sanity in this chaotic world.


Location:  Sacramento, California, USA
Memberships:
   Handweavers Guild of America
   Sacramento Weavers and Spinners Guild
   Sacramento Center for the Textile Arts 
Languages spoken:  English



Hand woven scarves and textiles by Ann Robinson.





Marjorie Durko Puryear Art

Travel Documents 1-Moments On The Grid. ArtQuilt 30" x 30"



I am a fiber artist, formally trained, with both BFA and MFA degrees. I construct textile compositions that are unpretentious stories. Typically small-scale, they are easy-to-live-with pieces, often quirky, and very enjoyable. This work is defined by a passion for collecting cast-offs: delicate handkerchiefs and monogrammed linens; handwritten notes and letters from another era; and odd photos. I identify with the history each item carries and am obsessed with assembling found parts into a new whole, inventing a new message for the appropriated materials.

My work is meticulously conceived and honors fine craftsmanship.

Most pieces are small-scale, single unit/single element compositions, formally framed. Other work is in traditional quilt form – both art quilt and functional.

My work has been exhibited in hundreds of group and solo shows, recently: the ARC Gallery, Chicago IL; Fuller Museum of Craft, Brockton MA; Carnegie Center, New Albany IN; Turchin Center, Boone NC; Prescott College/Sam Hill Gallery, AZ; Craft Alliance Gallery, St Louis MO; Museum of Decorative Arts and Design,  Riga LATVIA; and soon, Selden Gallery, Norfolk VA.

My work is sold through exhibitions and now by direct contact through my blog.

Artist's statement:  The textile art that I create is emotionally linked to everyday humble craft- forms and the tactile, sentimental memories they can embody. I transform the mundane parts of an ordinary life into compositions that evoke intrinsic beauty and a viewer’s curiosity - objects that become new and extraordinary decorative elements.



Location:  USA. Split residences-Massachusetts and Alabama
Blog:  mardurpur 
Memberships:  
   Surface Design Association, MA/RI.
   Weavers Guild of Boston, WGB.
   Handweavers Guild of America, HGA.
Languages spoken:  English


Notes From You Series - Judge Me. detail Framed size 18" x 18" by Marjorie Durko Puryear Art






Tags:  collage, lace, Victorian, letters, memories, writing, small, feminine

Cameron Taylor-Brown




I am a textile artist, consultant and educator who loves weaving, yarn, color, and design - and enjoy collaborative teaching and learning. I am fortunate to be able to immerse myself in many aspects of textiles.  I maintain a weaving studio,  teach all over the country, and represent several yarn distributors in Southern CA and AZ.  In 2011, I launched ARTSgarage - a textile resource center and reference library open by appointment.

My website shows images of my work and a complete list of classes. Please contact me if you wish to purchase artwork, are interested in taking a class or would like to hire me to teach.  


Artist's statement:   My artwork reflects a passion to shape order out of chaos—to start with bits of thread and create something complex and satisfying where nothing existed before.  As I weave, I embrace and celebrate the ancient heritage and language of woven cloth. The rhythms and interplay of pattern, color and texture fascinate me, and the tactile quality of the actual fiber is extremely satisfying. I thrive on the challenges and opportunities presented to me as I move forward to explore new and interesting possibilities.  


Location:  Los Angeles, California, USA
Memberships:
Languages spoken:  English


"Indigo Dreams #1", Weaving by Cameron Taylor-Brown








Tags: fiber artist, textile artist, handweaver, handweaving, weaving teacher, creativity, collaborative learning, colorist, color classes, textile library

Line Dufour

"Osmosis" Handwoven tapestry by Line Dufour
www.tapestryline.com



I am a fiber artist and tapestry weaver who is interested in having exhibitions in public and private galleries. I  welcome those who would like to commission a site specific work or purchase existing tapestries. I also create unique one of a kind fibre fashion accessories using a variety of techniques such as weaving, knitting, felting and sewn constructions.  I have a studio and show room. The Guild Shop in Toronto also carries my work.


Artist's Statement:  To be whole, is described as being healthy, entire; recovered from a wound or injury; restored; free of defect or impairment; mentally and emotionally sound; constituting an undivided unit; constituting a person in their full nature; not having omitted or disregarded anything; a coherent system or organization of parts working together as one; Referenced from Webster’s Collegiate Dictionary

I have been exploring emotion  through colour, shape and form with my weaving and fibre related activities and I have been continuously experimenting with various materials within the structure of weaving or inspired by it. My own great need to be creative through fibre and tapestry weaving is a vital part of who I am and what I do. 

The two distinct groups of weavings are united in their theme – giving visual expression to the wide range of human emotion and states, and this includes our shadow/dark side as well as our more pleasant emotions. The pleasant emotions, the Well Being series,  are shown as bright and intense colours, simple in their composition and convey the lightness and buoyancy they bring to our spirit, body and energy.  Our darker side/reflective side is represented by the pieces in the Turbulence group, and they incorporate black as the dominant colour, and also a three dimensional technical aspect. This dimension of ourselves is more complex, and full of surprises and things to reveal to us if we are receptive and willing to heed its message.  If we  grapple with our inner uncertainties, fears and uncomfortable emotions in a way that honours them, those emotions and thoughts can be transformed and we can grow and change. This is represented in some of my tapestries that are three dimensional which are also interactive and are able to be hung in different configurations.


Location: Toronto, Ontario, Canada
Blogs:
Memberships:
   American Tapestry Alliance
   Ontario Craft Council
   Handweavers Guild of America
Languages spoken: English, French



Weaving by Line Dufour











Tags: weaving, tapestry, fiber art, fibre art, wall hangings, fashion accessories

Dakini Dreams / Bonnie Clark




After a lifetime of living all over the US and traveling all over the world, experimenting with ceramics, printmaking, collage, and mixed media, I’ve finally settled in Santa Fe, NM and returned to the world of fiber and textile art.  My current focus is on needleweaving and tapestry weaving although I’ll be the first one to admit that I’m easily distracted by bright, shiny beads. 

A lifelong interest in indigenous cultures and ethnic / tribal art originally led me to maskmaking and this same interest has been instrumental in my studies of ethnic textiles.  Living in the Southwest provides a daily reminder of the role indigenous cultures and their artwork plays in our lives.  Inspiration for new pieces is there every time I walk out the door and see the architecture, the mountains, the desert, and a sky that can only be found in the Southwest.  I try to capture a little bit of this world in each of my weavings through design, color palette, and choice of focal stones and beads.


Artist's Statement:  My art is an exploration of the importance of change and releasing the past, especially the people and situations that hinder personal growth, empowerment and transformation.  The utilization of mythic figures, archetypes, motifs and themes allows me to explore letting go of the familiar, safe and secure in order to travel to the dark, often frightening, places of the soul.  In this way, I’ve learned to trust my inner voice and honor my soul’s need for expression and challenge. 

As a fiber / textile artist, printmaker and collage / mixed media artist, I use layers of digital images, ink, paint, handmade paper, ephemera, beads, textiles, fibers and glass to create pieces in which some of the images remain visible while others become fragmented, distorted, veiled or buried.  The resulting piece is complex and multi-layered in the same way that life is complex and multi-layered.  True understanding comes with being able to envision what is below the surface.

The imagery, taken from mythology, fairytales and the Tarot, requires a level of introspection… an inward journey and a willingness to face both the positive and negative aspects of life, human experience, personality and the world.  As a result, the process of creation becomes an excavation of self.  During this inward journey, questions arise regarding spirituality, aging, feminism, visibility, and aesthetics.  What should remain visible and what should be hidden from view?  How do society and our culture control our perceptions?  How does this perception affect our view of reality and illusion?  I want the viewer to question, explore and discover their own truth.   


Location:  Santa Fe, New Mexico, USA 
Social Media:
   Facebook 
   Twitter
   LinkedIn 
   Flickr 
   Google Profile
Memberships:
   Surface Design Association
   Handweavers Guild of America
   American Print Alliance
Languages spoken: English


"Bandelier", Needle Weaving by Dakini Dreams














Tags:  weaving, needleweaving, fiber art, textile art, beadwork, collage, mixed media, tapestry, surface design, embroidery






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